| Mendelssohn: Symphony No 3 in A minor, Op 56 "Scottish" - IV. Allegro vivacissimo - Allegro maestoso assai |
Swedish Chamber Orchestra, Thomas Dausgaard |
21:03 |
| Bach: Cantata "Geist und Seeel wird verwirret", BWV35 - Part 2 |
Iestyn Davies, Arcangelo, Jonathan Cohen |
21:12 |
| Beethoven: Violin Sonata No 8 in G, Op 30 No 3 - III. Allegro vivace |
Christian Tetzlaff, Lars Vogt |
21:21 |
| Haydn: Symphony No 82 in C, Hob. I:82 "The Bear" - IV. Finale. Vivace assai |
Kammerorchester Basel, Giovanni Antonini |
21:26 |
| Richter: On the Nature of Daylight (Orchestral Version) |
Baltic Sea Philharmonic, Kristjan Järvi |
21:35 |
| Dussek: Messe Solemnelle - V. Gloria |
Choir of the AAM, Academy of Ancient Music, Richard Egarr |
21:43 |
| Beethoven: Symphony No 8 in F, Op 93 - II. Allegretto scherzando |
Le Concert des Nations, Jordi Savall |
21:49 |
| Grieg: Peer Gynt, Op 23 (arr. Hardanger fiddle & string orchestra) - In the Hall of the Mountain King |
Ragnhild Hemsing, Trondheim Soloists |
21:54 |
| Schubert: Symphony No 5 in B flat, D485 - I. Allegro |
B'Rock Orchestra, René Jacobs |
22:02 |
| Ravel: Boléro, M.81 |
Sinfonia of London, John Wilson |
22:10 |
| Gesualdo: Tenebrae Responsories for Maundy Thursday - Ecce vidimus eum |
The Gesualdo Six, Owain Park |
22:27 |
| Mahler: Symphony No 8 "Symphony of a Thousand" - Part 1 - Conclusion |
Judith Howard, Anne Schwanewilms, Sofia Fomina, Michaela Selinger, Patricia Bardon, Barry Banks, Stephen Gadd, Matthew Rose, London Symphony Chorus, Choir of Clare College, Tiffin Boys Choir, London Philharmonic Orchestra & Choir, Vladimir Jurowski |
22:35 |
| Schubert: Die Winterreise, D 911 - I. Gute Nacht |
Benjamin Appl, James Baillieu |
22:39 |
| Mozart: Piano Concerto No 23 in A, K 488 - II. Adagio |
Leif Ove Andsnes, Mahler Chamber Orchestra |
22:46 |
| Bernstein: Wide Side Story - I Feel Pretty |
Rachel Zegler, Ana Isabelle, Ilda Mason, Annelise Cepero, Jamila Velazquez, Andrea Burns, Tanairi Sade Vazquez & Yassmin Alers |
22:53 |
| Kodály: Jesus and the Traders |
The 24, Robert Hollingworth |
22:57 |
